Violeta and El Silbón (Part Two)


TW: acts of physical and SV are insinuated.

She only knew that after that night, Xulma did not tease her about El Silbón anymore. Not for a while. She did not call her Chía either. She returned to being bright, talkative Xulma, the girl who could make adults forgive anything and make Violeta laugh even when she did not want to.

They became inseparable.

People said it with affection at first.

There goes Xulma, and there goes her shadow.

Violeta did not mind.

After her father died, being someone’s shadow felt better than being no one’s anything.

Xulma spoke for her when teachers asked too many questions. Xulma pulled her into games. Xulma shared food from her house and secrets from other girls and stories she swore were true even when they changed a little each time she told them.

Violeta gave her loyalty in return.

The kind children give before they understand loyalty can be harvested.

Years passed that way.

The pearl stayed at Violeta’s throat.

El Silbón stayed in the trees and in the far nooks of memories.

And Xulma stayed close enough to learn every quiet thing about her.

By the time they were eleven,  and fourteen, Violeta trusted Xulma with her silences.

That was the mistake.

The day everything happened, the sky was white with heat.

The girls had been sent to buy plantains and soap from a woman two roads over. Xulma had complained the whole way there and charmed two pieces of candy from the woman’s oldest son on the way back.

“You see?” Xulma said, unwrapping one with her teeth. “This is why you need me.”

“For candy?”

“For survival.”

Violeta laughed.

Xulma handed her the second piece.

The road home ran beside a stretch of trees where the shade looked almost blue. Beyond it, the land dipped toward a creek. Violeta liked that part of the walk. It smelled of wet leaves and mud, and for a few minutes the heat loosened its grip.

Then Xulma stopped.

Ahead of them, near the bend in the road, men stood by a truck.

Four of them.

Maybe five.

They wore green and brown, their rifles hanging from their shoulders like extra limbs. One of them was young. Too young, Violeta thought, to have such dead eyes.

Xulma’s candy wrapper crackled in her fist.

“Don’t look at them,” she whispered.

Violeta looked anyway.

The young one looked back.

Recognition moved across Xulma’s face so quickly Violeta almost missed it.

Almost.

“Do you know him?” Violeta asked.

Xulma did not answer.

The young man smiled.

It was not a good smile.

“Run,” Xulma said.

So they ran.

They ran through the brush, past the thin fence behind Doña Mercedes’s house, past the creek where the stones turned slick and black under moss. Branches slapped their arms. Thorns caught their skirts. Behind them, men shouted.

At first, Violeta thought it was a game her body had misunderstood. Some terrible kind of chase where if they were fast enough, clever enough, small enough, they would win.

Then a hand closed around her hair.

She hit the ground hard enough to lose the sky.

Xulma disappeared into the green.

For one bright, stupid second, Violeta hated her for it.

Then she saw Xulma crouched behind the roots of a fallen tree, both hands clamped over her mouth, eyes huge and wet and fixed on Violeta.

Do not move, Violeta wanted to tell her.

Do not come out.

One of the men held Violeta down. His hand covered her mouth. His fingers smelled like sweat and metal. She could not breathe right. She could not scream right. The world became pieces: leaves above her, dirt under her nails, a boot near her cheek, the young man standing apart from the others with his rifle held too tightly.

Someone laughed.

Someone told her to be quiet.

Then the world went away from her.

When it came back, the young man was kneeling beside her.

Not to help.

He reached for the necklace at her throat.

Violeta tried to pull away, but her body felt far from her. Like something she had left behind and might never return to.

The young man touched the pearl moon.

For a moment, his face changed.

Not kindness.

Recognition.

As if he knew exactly what he was taking.

He broke the chain with one quick pull.

Violeta made a sound then. Not a scream. Something smaller. Something worse.

The pearl moon disappeared into his fist.

Then came the whistle.

Three notes.

Falling.

Every man in the forest froze.

The one holding Violeta clamped his hand over her mouth again, harder this time.

“Shh,” he breathed.

It was the first time Violeta heard fear in a man’s voice.

The whistle came again.

Far away.

No.

Close.

No.

Both.

It moved through the trees as if the forest itself had learned to call children by name.

The man above her began to pray.

Xulma screamed.

It was not a long scream. It was not brave in the way stories make girls brave. It was wild and broken and ripped out of her before she could stop it.

The man holding Violeta turned his head.

That was all El Silbón needed.

Something long and pale unfolded from between the trees.

Violeta saw a hand first. Wet fingers curling around the trunk of a ceiba. Then an arm. Then a body too tall to belong to any living thing. El Silbon bent toward the man who had covered her mouth.

The forest went silent.

The man tried to raise his rifle.

El Silbón took him apart before he could fire.

Violeta did not understand what she was seeing. She only understood that the hand was gone from her mouth.

Air rushed into her.

Xulma burst from the roots and grabbed her.

“Get up,” she sobbed. “Violeta, get up.”

Violeta could not feel her legs.

“Get up!”

The young man with the moon necklace ran too.

For a moment, all three of them ran together: Xulma dragging Violeta by the hand, Violeta stumbling through the brush, the young man crashing beside them with terror bright on his face.

Behind them, El Silbón whistled once.

The young man looked back.

Xulma did not.

At the creek, the young man went left.

The girls went right.

They never saw him again.

They did not stop running until the trees thinned and the first houses appeared through the rain.

By then, Violeta’s throat was raw from trying not to cry.

By then, Xulma’s hands were covered in dirt and blood.

By then, the moon necklace was gone.

And somewhere behind them, deep in the forest, the Whistler carried a new sound in his sack of bones.

After the forest, Xulma made Violeta swear.

They were sitting behind Xulma’s aunt’s house, knees pressed to their chests, mud dried along their calves. Someone had wrapped Violeta in a blanket even though the heat had not broken. Someone else had given Xulma sugar water. Adults moved in and out of the house, speaking in voices too low for children and too frightened for comfort.

Violeta’s throat hurt.

Every time she swallowed, she felt the place where the chain had snapped.

Xulma sat beside her, shaking so hard the cup in her hand clicked against her teeth.

“You can’t tell,” Xulma whispered.

Violeta looked at her.

“What?”

“You can’t tell anyone what happened.”

Violeta touched her neck.

The pearl was gone.

“My necklace,” she said.

Xulma’s face twisted.

“I know.”

“He took it.”

“I know.”

“He took it from me.”

“Stop saying that.”

Violeta stared.

Xulma looked toward the house, toward the adults, toward the road beyond the yard where night had begun to gather itself.

“If you tell them, they’ll ask why we were there,” Xulma said.

“We were walking home.”

“They won’t care.”

“But—”

“They’ll ask why they touched you. They’ll ask what you did. They’ll ask why you didn’t run faster. They’ll ask why I hid. They’ll ask why you came back without your necklace.”

Violeta’s mouth opened.

Nothing came out.

Xulma took her hand then. Her fingers were damp and cold.

“They’ll make it worse,” she said. “I’m trying to protect you.”

Violeta wanted to believe her.

That was the cruelest part of any lie. It did not need to be beautiful. It only needed to arrive when the truth was too unbearable to hold alone.

So Violeta nodded.

Xulma squeezed her hand.

“Swear.”

“Xulma—”

“Swear.”

Violeta looked down at their hands. Dirt beneath their fingernails. Blood dried at the edge of Xulma’s sleeve. A small crescent-shaped cut across Violeta’s palm where a thorn had caught her while they ran.

“I swear,” Violeta said.

Xulma exhaled like she had been forgiven.

Waltz

The planets
dance amongst
one another

and humanity
runs in calamity.

Oh, celestial waltz
brings upon
a devastating

Silence.

Where everything
gets to begin
Again.

Were we triumphant
As a species?

Or was it ego

Eating away
At our beings?


Again.


Wake  up little things
before 

Something
cataclysmic
happens
for

You.

Performing Strength

“Performing strength,”
is what the elder called it.

And I thought:

Is that why my mom
is so tired now?

Is that what is happening
to my friends?

To me?

Because for years,
I performed
the act of normal.

Performance
was all I knew.

Performing stable.
Performing okay.
Performing getting better.

The only thing
that never seemed
performative
was love.

I gave it
like I breathed,

because it was gifted—

by Bachué,
by Chía,
by Creator.

But you cannot
give love
to everyone.

And you cannot
receive everything
just because
it is offered.

Performing strength
does not mean
you are strong.

Giving love
does not mean
everyone deserves it,

or that anyone
has the right
to take it.

Everything became twisted.

Even the times
love was reciprocated
became deformed.

The masks.
The costumes.

Eventually,
I could no longer
perform the acts.

And without them,

I could finally see

how much strength
I had spent,

how much love
I had poured out,

how much of myself
I had mistaken
for something endless.

I had been used.

I had been used up.


Figure Eights

Sooner or later,
we will make figure eights
over all the damage
they wrought
upon us,

and it will look
like all the times
we practiced
pretty cursive
in our notebooks

as children—

our government names
over and over,
perfecting our handwriting,

knowing we would
never reach the pinnacle,

but hoping,
through impression,
we could reach
perfection

for them.

Something they, too,
had wished for

as they signed
their names—

a wish,
a wish,
a wish

forced upon them
when their names were taken,

a new name
assigned.

Dream Walk

I walk in their feet
through the darkness.

I can see his
stoic face, gently
touched
by little rays of sunlight.

Aware of all things.

Alone.

Unaware, maybe,
that soon
Mother will hold him,
comfort him.

A betrayal.

I never get to that part—

something I know
but always miss.


Ever Fickle and Changeable Thing

Is that so?

Do you think that talking
in my sleep helps guide me,
gently,
as I walk through broken plates
left by all our generations?

I am bloodied,
and when I wake,
you act as though
nothing happened.

You leave me
to walk alone through this,
wondering how I got here,
trying to understand
the motions,
the feelings—

reaching for walls,
ruminating,
internalizing—

while from your watchtower
you can see it all.

You can see through it,
and I cannot
see you.

You reach out
and rearrange
the pain,
the fear,
the confusion,

when all I ever wanted
was to keep you safe.

That is all
I ever wanted
for anyone in my life.

I spoke it
into a love
that made no sense.

Why do that
to someone?

Why did I do that
to myself—

skew everything
until it made me
so small?

A look.
A word.
A face.

And then led
to a wolf’s
lies,
lies,
lies,

until they all
became true.

Was it enjoyable
to watch me crumble?

The harm I have done...

Tell me:

Was it worth the cost?

Did I pay enough
for you?

Or not enough—
for loving you
genuinely?

Tell me.

Did you see
the extent
of what you did?

How I hurt others
through the harm
you caused?

It was like poison.

How far can you see
from your watchtower?

Did you see
the messes I made?

The friends I lost?

The friendships
I nearly destroyed?

How my mind collapsed?

How I was losing
my ability to speak?

To write?

What did you think
of your magnum opus?

The scars
on my legs
and arms.

Did I bleed enough
for you?

Fickle thing.

You do not know me.
You do not own me.
You do not keep me.

I certainly
do not own you.

I never wanted
to own you.

Only to love you.

And if you were okay,
then I was too.

My wounds are healing.

And they ache.

I must repair
the broken pieces
of all these plates—

at least
what I can.

What I cannot,
I will leave.

Kintsugi,
they call it.

We know how
to work with gold.

I’ll shape these pieces
in such a way
that only those
who know how to handle them
will know
how to hold them.

And those who cannot
will cut their hands
against the edges.

Carelessness
will do that.

Maybe the next time,
if you so choose,
you will partake
in learning how
to handle something

instead of
only spectating.

love
is not pervasive.

Learn of life
and of the wounds
that make it—

not how
to make the wounds.

You are not
the only one
who has known pain.

I lost myself
in the wilderness.

Oh, but now—

now I know why,
Aeneas.

Your tongue
gives you a way.

I may have been mad,
but language is my gift,

and the moon
gives me sight.

I will never be
your Dido.

Enough
of this madness.

Projection(Gabo)

Not everything is sexual.

Not everything
is someone
trying to hurt you.

Not everything
is someone
trying to use you,

abuse you,
harm you.

Sometimes,
the people around you
want to love you.

Care for you.
Listen to you.
Know you.
Be there for you.

But when you have lived
through so much pain,

every shadow
starts to look like someone
waiting behind a tree.

Every hand
reaching toward you
looks like another hand
coming to take.

And maybe
it becomes easier

to pass the pain
to someone else,

not realizing

that it was not
their pain to bear,

just as it was
never yours.

So it travels.

From body
to body.

House
to house.

Generation
to generation.

Until suffering becomes
something inherited.

Something so familiar
you mistake it
for love.

And all it does
is make everyone sick.

You give them
the disease
someone gave you.

You lead them deeper
into the forest

and call it protection.

You make them afraid

and call it care.

When all they ever wanted
was for you
to be safe.

When all they ever wanted
was to feel safe.

To know you.

To love you.

The rest
I never asked for.

But I came back for it.

Again.

Because you all ached,

and all I ever wanted
was to understand.

So I followed
every sound.

Every shadow.

Every disappearing figure
between the trees,

believing that
if I went far enough,

I would finally find
the thing

that made all of this
make sense.

But there is no end
to a forest
you keep choosing
to enter.

There is no understanding
that can make cruelty
become love.

There are wounds
I cannot heal
by climbing inside them.

There are histories
I cannot rewrite.

There are a hundred years
of hurt

that do not belong
inside my body.

That was never
what any of us
were meant to be.

Not you.

Not them.

Not even me.

So I will stop
following.

I will stop carrying
what was passed
from hand to hand
before it reached mine.

I will leave the forest
without needing to know

who—or what—
was waiting
at its center.

That is yours alone.

May you find
your peace with it.

Channeled Duck

I heard her through

a sponge

Muffled kind of

Melodic

Gently holding me

saying

“He is okay

He is safe.

You are safe.

You could let him go.

I’m sorry that happened to you.”

I didn’t know it

But it was something I needed

to hear.

Not all the other layers

Of fog

I’ve heard

So long that began to push me into

a permanence

To propel me into a

Larger place of uncertainty.

No, this small piece

of peace

that took me from'

the pain spewing for months

from madness

to clarity.

That he sees himself.

Or is starting to.

Maybe he doesn’t.

It doesn’t matter.

What’s done is done.

It can’t be undone.

It can’t erase.

We can let go.

Once I knew I could.

I breathed.

I began to let go.

I didn’t know that’s what it was.

This fear

This whole time.

Sirenas

Me imagino caminando
por los chorros
de los que hablaba
mi apá.

Una leyenda
de sirenas
esperándome en el agua.

Mis pies en el pasto,
los pedazos mojados
sintiendo
cada parte fría
de mi madre,
honrándola,
agradeciéndole.

Me lavo
dentro de sus
aguas frías.

Me despiertan.
Me alivian
los dolores internos,
todos los pequeños
infiernos.

Y las sirenas
vuelven a cantar
conmigo
otra vez.

Felices.

Porque desde niña
suelen
no oír mi voz.